My encounter with The Peace of God // Grief

On Wednesday February 5, 2020, Washington, DC was enjoying a balmy 50°F, with cloudy skies that were producing an on again off again heavy mist.

(A month later on March 11 the World Health Organization declared Covid-19 a pandemic, on Friday March 13 the President of the United States declared a national emergency, on March 14 CDC issued a “No Sail Order” to all cruise ships, and on March 15 states began to shut down schools, bars, restaurants and places of employment to prevent the spread of COVID-19. We all discovered zoom, grocery shopping online and home food delivery).

But on February 5 was I was blissfully ignorant of what was waiting just beyond the turn of a calendar page.

On that Wednesday, we were on a scavenger hunt looking for Rock Creek Cemetery, and for Augustus Saint-Gaudens’ sculpture commemorating Clover (Marian Hooper) Adams.

But why? When I was doing research for my novel, “Letters from Eleanor Roosevelt” I learned that in 1918, during one of the most trying times in Eleanor Roosevelt’s life, when she discovered Franklin had been carrying on with someone else, they were living in Washington DC, and she found great solace in Rock Creek Cemetery. Mrs. Roosevelt spent hours gazing at a statue by Augustus Saint-Gaudens in that cemetery.

Henry Adams commissioned the sculpture in memory of his wife, Clover, who committed suicide. In her book, “Clover Adams: A Gilded and Heartbreaking Life” Natalie Dykstra says that Henry Adams instructed Augustus Saint-Gaudens to take his inspiration from two sources: Michelangelo’s frescoes of the five seated Sibyls in the Sistine Chapel and images of the Buddha, especially Kwannon, the goddess of mercy. Saint-Gaudens notebook for the sculpture notes: mental repose, calm reflection in contrast with the violence or force of nature, beyond pain, beyond joy.

during one of the most trying times in Eleanor Roosevelt’s life, when she discovered Franklin had been carrying on with someone else, they were living in Washington DC, and she found great solace in Rock Creek Cemetery. Mrs. Roosevelt spent hours gazing at a statue by Augustus Saint-Gaudens in that cemetery.

The statue is a hooded figure about 6 feet tall, sitting on a rough-hewn granite block, deep in contemplation. The hood of the cloak drapes over all of the figure except the face. A large slab of polished red marble forms a background for the figure. At a bit of a distance away from the statue, there is a marble bench—the bench where Mrs. Roosevelt sat and contemplated the statue and her own future. There is no plaque on the statue, but Henry Adams called it ‘Peace of God,’ but most people know it as ‘Grief.’

The more that I read about the statue, the more I wanted to see it. It took a little time to convince my wife that this might be a worthwhile adventure, but finally, we were on our way in search of Rock Creek Cemetery and the statue. Neither was easy to find. Neither was well marked, but trusty GPS and persistence got us to both. It was worth the effort. The statue is starkly beautiful, cloaked in an aura of mystery, dignity, and solace. I’m glad that we made the trip. The memory of being in the presence of that statue carried me through the months ahead.

But my searching was not finished. I had to know more about Clover Adams. Usually I can uncover a wealth of information on the internet for the women I blog about here. But not so much for Clover (Marion Hooper) Adams. She was not a very public person. But, you have to be asking, then why did she warrant such a very public and grand memorial? Well, therein lies a story.

To be continued next week.

May I introduce Clare Boothe Luce?

My first experience of Clare Boothe Luce was her toast to Eleanor Roosevelt at Mrs. Roosevelt’s 70th birthday party, “Here’s to Eleanor. No woman has ever so comforted the distressed, or so distressed the comfortable.”

I was smitten. Who was this woman who conceived such an eloquent epigram, encapsulating the essence of Mrs. Roosevelt’s life works? I had to know more!

Ah, the power of reading! I learned that Ms. Luce was an American writer, politician, U.S. ambassador, and public conservative figure. Ah, but she was so much more. I learned that Clare Boothe Luce was born on March 10, 1903, in New York city to William Boothe and Ann Clare Snyder. Both of her parents were involved in the theater, and to help pay the bills, young Clare performed in several plays and did not begin her formal schooling until she was 12. As she grew and matured, Ms. Luce became known for her intelligence, wit, and a knack for publicity that, along with her celebrity and beauty, made her a media darling.

As a young adult, Clare set her sights on writing, the publishers of Condé Nast hired her at Vogue. By 1933 she served as the managing editor at Nast’s Vanity Fair magazine. On November 21, 1935, Clare Boothe married Henry R. Luce, founder of TimeLife, and Fortune magazines. Shortly thereafter Clare Boothe Luce came into her own as a successful playwright.

In 1936 she wrote a Broadway hit, The Women, a satire about the lives of Manhattan socialites that features an all-female cast. The play was made into a movie in 1939 starring Rosalind Russell and Joan Crawford (and was remade in 2008, featuring Meg Ryan and Annette Bening).

Clare began to develop an interest in politics during the Great Depression. When war broke out in Europe, she toured the world as a Life correspondent and reported on countries in Europe, Asia, and Africa and interviewed such famous people as Nehru and Chiang Kai-Shek.

Her first active participation in Republican politics came with her energetic support of Wendell Willkie’s 1940 presidential campaign. By 1942, Connecticut political leaders lobbied Luce to run for a U.S. House seat encompassing Fairfield County and the wealthy town of Greenwich, where Luce had a home. Luce based her platform on three goals: “One, to win the war. Two, to prosecute that war as loyally and effectively as we can. Three, to bring about a better world and a durable peace, with special attention to postwar security and employment here at home.”

Luce won a Connecticut U.S. House seat in 1942, despite never having stood for elective office. She served in the House of Representatives for two terms, the 78th Congress (1943–1945), and the 79th Congress (1945–1947). Though she was critical of President Franklin D. Roosevelt (FDR), Luce’s internationalist bent led her to back the broad outlines of the administration’s plans for the postwar world. She once described her philosophy as, “America first, but not only.” And, despite her status as a leading GOP spokesperson, Luce voted to support the general outlines of FDR’s foreign policy.

On domestic policy, Congresswoman Luce was centrist. In 1943 she supported the Equal Rights Amendment on the twentieth anniversary of its introduction in the House. Luce also endorsed the development of the Women’s Army Auxiliary Corps, arguing that, “We have always been fighting women and never afraid to do our part.” She advocated a heavy wartime tax on the rich: “those who can afford it, the well-to-do and the rich, must be taxed almost to the constitutional point of confiscation.” 

Republican Party leaders selected Luce as the keynote speaker at the 1944 Republican National Convention in Chicago, the first woman so honored by either party.

In 1946 Luce introduced a bill to create a Labor Department bureau to ensure women and minority workers equal pay for equal work. Clare Boothe Luce became the first woman ambassador ever appointed to a major diplomatic post. Luce left Italy in 1956 after suffering arsenic poisoning, and in 1959 she was nominated to be Ambassador to Brazil.

In 1973, Richard Nixon named Luce to the President’s Foreign Intelligence Advisory Board. President Reagan awarded her the Presidential Medal of Freedom, the first woman member of Congress to receive the award.

Clare Boothe Luce died in Washington, DC on October 9, 1987 at age 84 having left her mark on our world, having blazed new trails for the women who would follow stand on her shoulders. She has left us a legacy of strong and sturdy shoulders.

May I introduce Charlotte Perkins Gilman?

Spring is in full bloom and summer is right around the corner. Picnic time is with us. Imagine, if you will, a wide sweeping lawn, with maple and oak trees around the borders that give just enough shade so the sun is not oppressive. Imagine a table set for five. My wife and I, you and your sweetheart, and—and I think this week I would like to invite Charlotte Perkins Gilman to join us.

May I introduce her to you?

Born in Hartford, Connecticut, on July 3, 1860, her mother raised her with the help of Charlotte’s three aunts: Isabella Beecher Hooker, a suffragist; Harriet Beecher Stowe, author of Uncle Tom’s Cabin; and Catharine Beecher, educationalist.

She attended the Rhode Island School of Design, and for a time supported herself as an artist of trade cards (precursors to business cards, with illustrations and information about merchants and their business). She also worked for a time as a painter, a tutor, encouraging others to expand their artistic creativity. During this moment in her life, Charlotte met Martha Luther. Charlotte described their relationship as being: “closely together, increasingly happy together, for four of those long years of girlhood. She was nearer and dearer than any one up to that time. This was love, but not sex … With Martha, I knew perfect happiness …” In these early years of her adult life, Charlotte was happy. Never take happiness for granted.

Charlotte had two husbands and one daughter. Profound postpartum depression followed the birth of her daughter in 1885. Charlotte left much of the raising of their daughter to her first husband, but she maintained an ongoing relationship with her daughter. Charlotte lived life on her own terms, but those terms and that life were not always easy. At one point, Charlotte supported herself by selling soap door to door.

In 1888, she moved to Pasadena, California, with her friend Grace Channing. In Pasadena, her depression began to life. She worked with the National American Woman Suffrage Association, and the International Socialist and Labor Congress, and Nationalist Clubs movement (which worked to “end capitalism’s greed and distinctions between classes while promoting a peaceful, ethical, and truly progressive human race”).

In 1890, the Nationalist magazine published her poem “Similar Cases” (a satirical review of people who resisted social change), and that launched her writing career. 1890 was a watershed year for Charlotte. She wrote fifteen essays, poems, a novella, and a short story.

Between June 6 and 7, 1890, in her home in Pasadena, Charlotte wrote the short story, The Yellow Wallpaper. The New England Magazine printed it a year and a half later in the January 1892. That short story is now the all-time best-selling book of the Feminist Press. In the story, a man rents a cottage for the summer. His wife is trying to deal with her depression, so he locks her in a bedroom, and she, well, she sort of goes crazy. Maybe. Or maybe she finds an alternate reality. If you have not read The Yellow Wall Paper, just stop what you are doing, go to your local book store (or the Feminist Press web page), buy a copy, sit down and read it. It will creep you out. It will make you angry. And it will inspire you to action! (do be careful, reading can do that!).

The short story, The Yellow Wallpaper, is why I want to invite Charlotte Perkins Gilman to our picnic. I really want to know what motivated her to write this story. What was she thinking? How autobiographical was it?

Please do read it—but not when you are alone. Maybe read it on a sunny summer day, on the beach together with some like-minded friends, so you can talk about it with those friends over some hot dogs and s’mores.

Just to finish Charlotte’s life, she published her first volume of poetry, In This Our World, in 1893 and gained public recognition. She eventually became a successful lecturer and her speeches to activists and feminists became a primary source of income.

In 1932, Charlotte learned she had inoperable breast cancer.

In both her autobiography and a suicide note, she wrote that she “chose chloroform over cancer” and she died quickly and quietly on August 17, 1935. Reflecting on death she said, “Death? Why all this fuss about death? Use your imagination, try to visualize a world without death! Death is the essential condition to life, not an evil.”

May I Introduce Cecilia Payne Gaposchkin

Cecilia Payne Gaposchkin is high on my list of people I wish I could invite to a dinner party. She was a diligent, dedicated, hardworking woman and a world class astronomer.

Cecilia Payne Gaposchkin was born on May 10, 1900, in Wendover, Buckinghamshire, England, and died on December 7, 1979 in Cambridge, Massachusetts. And oh, what a life she lived in those 79 years. She was the first person to earn a PhD in astronomy from Harvard University. She was the first woman to become a professor in her department and the first woman to become a department chair at Harvard. In 1976, the American Astronomical Society awarded her the Henry Norris Russell Prize, its highest honor, in recognition of her lifetime of excellence in astronomical research.

But the prizes and accolades at the summit belie the obstructions and obstacles in the climb. Gaposchkin began her academic studies in Cambridge, England, in the 1920s. She prohibited from sitting in the same rows of seats as her male classmates. The University prohibited her from receiving a degree. Even though she fulfilled all the requirements, women were only granted ‘certificates.’

In 1923, she moved to the United States and began her studies at Harvard, where she completed her PhD in 1925. Her dissertation showed that helium and hydrogen were the most common elements in the stars and in the universe. That contradicted the scientific consensus of the time, and her findings were highly controversial. Her work was dismissed, and she took on less prestigious, low paying research jobs at Harvard. But she worked, and she worked in her chosen field. (Her discovery was later credited to Henry Norris Russell of Princeton University, who reached the same conclusion by different means. Gaposchkin’s role in the discovery remained in the background for decades.) But she worked, and she worked in her chosen field. Eventually, she claimed some small measure of recognition.

I highly recommend her autobiography for her personal views on her life, and to taste both her brisk style and her ability to communicate both complexity and nuance.

Reflecting on the way her dissertation findings were treated, Gaposchkin said, “I was to blame for not having pressed my point. I had given in to Authority when I believed I was right. That is another example of How Not To Do Research. I note it here as a warning to the young. If you are sure of your facts, you should defend your position.”
When asked for advice, Gaposchkin often said: Do not undertake a scientific career in quest of fame or money. There are easier and better ways to reach them. Undertake it only if nothing else will satisfy you; for nothing else is probably what you will receive. And yet, there is nothing personal in the thunderclap of understanding. The lightning that releases it comes from outside oneself. Your reward will be the widening of the horizon as you climb. Indeed, the reward of the young scientist is the emotional thrill of being the first person in the history of the world to see something or to understand something. Nothing can compare with that experience. The reward of the old scientist is the sense of having seen a vague sketch grow into a masterly landscape. If you achieve that reward, you will ask no other.

How I wish I could sit with her, share an evening and a glass of wine, and explore the contours of her mind.

May I introduce you to Madame Germaine de Staël?

           

Who would not want to meet a woman born in 1766, who lived until 1817, who not only survived the French Revolution,  and who Napoleon Bonaparte repeatedly sent into exile!

At a dinner party, Madame Germaine de Stael proclaimed, “Ought not every woman, like every man, to follow the bent of her own talents?” Her familynurtured her formation of opinions such as this from a young age. Madame de Stael’s mother, Suzanne Curchod, ran an extremely well-regarded salon in Paris, entertaining such luminaries as Voltaire and Diderot. She was a woman of letters steeped in the liberal principles of Jean-Jacques Rousseau, and well-read in authors such as Montesquieu, Shakespeare and Dante. These experiences strengthened her intellect and encouraged her emotional intensity. She learned to live her life with a wholehearted enthusiasm, and grew to become a popular salonnière in her own right, captivating foreign dignitaries, liberals, nobles, wives, and mistresses. Her dinners included such personages as Thomas Jefferson, Lafayette, Thomas Paine, and Gouverneur Morris (American envoy to Paris).

Madame de Stael supported the French Revolution in its early days and eventually backed the more moderate elements in the Revolutionary cause. During the French Revolution and the storming of the Bastille, Madame De Staël remained in Paris. She was protected by her relationship with an ambassador, and continued to hold her salon, which was frequented by moderates and monarchists. After the declaration of the French Republic in September 1792, Madame De Staël tried to flee Paris with her full entourage. The crowd stopped her carriage and forced her to the Paris town hall. Robespierre, an influential figure in the French Revolution interrogated her, but eventually, she was allowed to leave the city with a new passport.

For a time, she was constantly on the move, traveling from France to Sweden, Germany and England. Even while she traveled, she was always writing, as she said, “The search for the truth is the noblest occupation of man; its publication is a duty.”

She is generally recognized as a defender of Republican and liberal values: equality, individual freedom – especially for women, and the limitation of power by constitutional rules. She asserted that “Scientific progress makes moral progress a necessity; for if man’s power is increased, the checks that restrain him from abusing it must be strengthened.”

Lord Byron who she met in England, described her as Europe’s greatest living writer, ‘with her pen behind her ears and her mouth full of ink’. He also wrote she was ‘sometimes right and often wrong about Italy and England – but almost always true in delineating the heart, which is of but one nation of no country, or rather, of all.’ Sadly, after travelling in Europe and England she returned to Paris only to die in disillusionment, on Bastille Day, July 14, 1817.

Of all that she said and wrote, I will remember her assertion that “In matters of the heart, nothing is true except the improbable. Love is the emblem of eternity; it confounds all notion of time; effaces all memory of a beginning, all fear of an end.”

Ah, yes. Let there be love.

A Message from Amelia Earhart to the Women of the Future

Dear Sisters,

Dear Sisters,

You know me as a brash American flyer. And, yes, I set flying records. Yes, I championed the cause of women in aviation.  I was the first woman to fly solo across the Atlantic Ocean, and the first person to fly solo from Hawaii to the US mainland. Mostly, my flying has been solo, but the preparation for it wasn’t. Without my husband’s help and encouragement, I could not have achieved what I did. Ours was a contented and reasonable partnership, he with his solo jobs and I with mine. But always with work and play together, conducted under a satisfactory system of dual control.

But my greatest adventure – to circumnavigate the globe – was cut short in July of 1937.  Obviously I faced the possibility of not returning when first I considered going. Once faced and settled there really wasn’t any good reason to refer to it. The most effective way to take up a challenge or adventure, is to do it. One must plan thoughtfully and thoroughly. One must practice and perfect all skills. Then, one must take up the challenge and do it! Adventure is worthwhile in itself.

I will always cherish the vision of flying after midnight, the moon set, and I was alone with the stars. I have often said that the lure of flying is the lure of beauty, and I need no other flight to convince me that the reason flyers fly, whether they know it or not, is the esthetic appeal of flying.  Flying might not be all plain sailing, but the fun of it is worth the price

After I was lost over the Pacific, probably in near the Howland Island, the wreckage of my plane, my bones were never found. And so, for all of my accomplishments, for all of my achievements, I am remembered as the woman who was lost at sea.  

But I was so much more than that. I was a woman who relished beauty and adventure. I was a woman who believed that women, like men, should try to do the impossible. And when they fail, their failure should be a challenge to others.

And so I say to you, my sisters of the future, never interrupt someone doing what you said couldn’t be done. Watch them, learn from those who are doing. Use your fear, let it take you to the place where you store your courage. And then, FLY!

For very woman who has wanted to be strong/er

Who among us has not spend a moment or two feeling tired, over wrought, overwhelmed, inadequate to the demands of the situation, feeling just not enough, feeling weak? Well, for those of us who have, I offer up this most wonderful of poems by Marge Piercy.  May it touch your heart with a gentle hand, even as it binds up your wounds and strengthens your soul!

For strong women by Marge Piercy

 

A strong woman is a woman who is straining.

A strong woman is a woman standing

on tip toe and lifting a barbell

while trying to sing Boris Godunov.

A strong woman is a woman at work

cleaning out the cesspool of the ages,

and while she shovels, she talks about

how she doesn’t mind crying, it opens

the ducts of her eyes, and throwing up

develops the stomach muscles, and

she goes on shoveling with tears in her nose.

 

A strong woman is a woman in whose head

a voice is repeating, I told you so,

ugly, bad girl, bitch, nag, shrill, witch,

ballbuster, nobody will ever love you back,

why aren’t you feminine, why aren’t

you soft, why aren’t you quiet, why

aren’t you dead?

 

A strong woman is a woman determined

to do something others are determined

not to be done. She is pushing up on the bottom

of a lead coffin lid. She is trying to raise

a manhole cover with her head, she is trying

to butt her way though a steel wall.

Her head hurts. People waiting for the hole

to be made say, hurry, you’re so strong.

 

A strong woman is a woman bleeding

inside. A strong woman is a woman making

herself strong every morning while her teeth

loosen and her back throbs. Every baby,

a tooth, midwives used to say, and now

every battle a scar. A strong woman

is a mass of scar tissue that aches

when it rains and wounds that bleed

when you bump them and memories that get up

in the night and pace in boots to and fro.

 

A strong woman is a woman who craves love

like oxygen or she turns blue choking.

A strong woman is a woman who loves

strongly and weeps strongly and is strongly

terrified and has strong needs. A strong woman is strong

in words, in action, in connection, in feeling;

she is not strong as a stone but as a wolf

sucking her young. Strength is not in her, but she

enacts it as the wind fills a sail.

 

What comforts her is other’s loving

her equally for the strength and for the weakness

from which it issues, lightning from a cloud.

Lightning stuns. In rain, the clouds disperse.

Only water of connection remains,

flowing through us. Strong is what we make together,

a strong woman is a woman strongly afraid.

The Three Sisters and Their Husbands, Three Brothers

Since time before mind women have had to survive by wit and will. This is a fun story that I found in the book “Fearless Girls, Wise Women, and Beloved Sisters: Heroines in Folktales” edited by Kathleen Ragan. Ragan credits Jeremiah Curtin the author of “Tales of Fairies and the Ghost World.” Clearly it is an old Irish tale – a bit longer than most that I post here, but worth the read for sure. If you don’t have time for the full five pages, jump to the end for the last few paragraphs! They are my favorite part for sure.

 As the story goes, in the county Cork, a mile and a half from Fermoy, there lived three brothers. The three lived in one house for some years and never thought of marrying. On a certain day theywent to a fair in the town of Fermoy. There was a platform on the fair ground for dancing and a fiddler on the platform to give music to the dancers. Three sisters from the neighbourhood, handsome girls, lively and full of jokes, made over to the three brothers and asked would they dance. The youngest and middle brother wouldn’t think of dancing, but the eldest said, “We mustn’t refuse; it wouldn’t be good manners.” The three brothers danced with the girls, and after the dance took them to a public-house for refreshments.

After a white the second brother spoke up and said, “Here are three sisters, good wives for three brothers; why shouldn’t we marry? Let the eldest brother of us take the eldest sister; I will take the second; the youngest brother can have the youngest sister.”

It was settled then and there that the three couples were satisfied if the girls’ parents were. Next day the brothers went to the girls’ parents and got their consent. In a week’s time they were married.

Each of the three brothers had a good farm, and each went now to live on his own place. They lived well and happily for about ten years, when one market-day the eldest sister came to the second and asked her to go to Fermoy with her.

In those days women used to carry baskets made of willow twigs, in which they took eggs and butter to market. The second sister said she hadn’t thought of going, but she would go, and they would ask the youngest sister for her company.

All three started off, each with a basket of eggs. After they had their eggs sold in the market they lingered about for some time looking at people, as is usual with farmers’ wives. In the evening, when thinking of home, they dropped into a public-house to have a drop of drink before going. The public-house was full of people, chatting, talking, and drinking. The three sisters did not like to be seen at the bar, so they went to a room up stairs, and the eldest called for three pints of porter, which was brought without delay.

It is common for a farmer or his wife who has a ten-shilling piece or a pound, and does not wish to break it, to say, “I will pay the next time I come to town”; so the eldest sister said now. The second sister called for three pints, and then the third followed her example.

‘Tis said that women are very noisy when they’ve taken a glass or two, but whether that is true or not, these three were noisy, and their talk was so loud that Lord Fermoy, who was above in a room finishing some business with the keeper of the public-house, could not hear a thing for their chat, so he sent the landlord to tell the women to leave the room. The landlord went, and finding that they had not paid their reckoning yet, told them it was time they were paying their reckoning and moving towards home.

One of the sisters looked up and said, “The man above* will pay all. He is good for the reckoning.”

The man of the house, thinking that it was Lord Fermoy she was speaking of, was satisfied, and went up stairs.

“Have they gone?” asked Lord Fermoy.

“They have not, and they say that you will pay the reckoning.”

“Why should I pay when I don’t know them? We’ll go down and see who they are and what they mean.”

The two went down, and Lord Fermoy saw that they were tenants of his; he knew them quite well, for they lived near his own castle. He liked the sisters, they were so sharp-witted.

“I’ll pay the reckoning, and do you bring each of these women a glass of punch,” said he to the man of the house.

The punch was brought without delay.

“Here is a half sovereign for each of you,” said Lord Fermoy. “Now go home, and meet me in this place a week from to-day. Whichever one of you during that time makes the biggest fool of her husband will get ten pounds in gold and ten years rent free.”

“We’ll do our best,” said the sisters.

Each woman of them was anxious, of course, to do the best she could. They parted at the door of the public-house, each going her own way, and each thinking of what could be done to win the ten pounds and ten years’ rent.

It had happened that the eldest sister’s husband became very phthisicky and sickly a couple of years after his marriage and fell into a decline. On the way home the wife made up her mind what to do. She bought pipes, tobacco, candles, and other articles needed at a wake. She was in no hurry home, so ’twas late enough when she came to the house. When she looked in at the window she saw her husband sitting by the fire with his hand on his chin and the children asleep around him. A pot of potatoes, boiled and strained, was waiting for her.

She opened the door. The husband looked at her and asked, “Why are you so late?”

“Why are you off the table, and where are the sheets that were over you?” asked she as if in a fright; “or the shirt that I put on you? I left you laid out on the table.”

“Sure I am not dead at all. I know very well when you started to go to the market, I wasn’t dead then, and I didn’t die since you left the house.”

Then she began to abuse him, and said that all his friends were coming to the wake, and he had no right to be off the table tormenting and abusing herself and the children, and went on in such a way that at last he believed himself dead and asked her in God’s name to give him a smoke and he would go up again on the table and never come down till he was carried from it.

She gave him the pipe, but didn’t let him smoke long. Then she made him ready, put him on the table, and spread a sheet over him. Now two poles were stretched overhead above the body and sheets hung over and down on the sides, as is customary. She put beads between his two thumbs and a Prayer-book in his hands. “You are not to open your eyes,” said she, “no matter what comes or happens.” She unlocked the door then and raised a terrible wailing over the corpse. A woman living opposite heard the wailing, and said to her husband:

“Oh, it is Jack that is dead, and it is a shame for you not to go to him.”

“I was with him this evening,” said the husband, “and what could kill him since?”

The wife hurried over to Jack’s house, found the corpse in it, and began to cry. Soon there was a crowd gathered, and all crying.

The second sister going past to her own home by a short cut, heard the keening and lamenting. “This is my sister’s trick to get the £10 and ten years’ rent,” thought she, and began to wail also. When inside she pinched the dead man, and pulled at him to know would he stir; but it was no use, he never stirred.

The second sister went home then, and she was very late. Her husband was a strong, able-bodied man, and when she wasn’t there to milk the cows he walked up and down the path watching for her, and he very angry. At last he milked the cows himself, drove them out, and then sat down in the house. When the wife came he jumped up and asked, “What kept you out till this hour? ‘Twas fitter for you to be at home long ago than to be strolling about, and the Lord knows where you were.”

“How could I be here, when I stopped at the wake where you ought to be?”

“What wake?”

“Your brother’s wake. Jack is dead, poor man.”

“What the devil was to kill Jack? Sure I saw him this evening, and he’s not dead.”

He wouldn’t believe, and to convince him she said, “Come to the field and you’ll see the lights, and maybe you’ll hear the keening.”

She took him over the ditch into the field, and seeing the lights he said, “Sure my poor brother is dead!” and began to cry.

“Didn’t I tell you, you stump of a fool, that your brother was dead, and why don’t you go to his wake and go in morning? A respectable person goes in mourning for a relative and gets credit for it ever after.”

“What is mourning?” asked the husband.

“Tis well I know,” said she, “what mourning is, for didn’t my mother teach me, and I will show you.”

She brought him to the house and told him to throw off all his clothes and put on a pair of tight-fitting black knee breeches. He did so; she took a wet brush then, and reaching it up in the chimney, got plenty of soot and blacked him all over from head to foot, and he naked except the black breeches. When she had him well blackened she put a black stick in his hand. “Now,” said she, “go to the wake, and what you are doing will be a credit to the family for seven generations.”

He started off wailing and crying. Whenever a wake house is full, benches and seats are put outside, men and women sit on these benches till some of those inside go home, then those outside go in. It is common also for boys to go to wakes and get pipes and tobacco, for every one gets a pipe, from a child of three to old men and women. Some of the boys at Jack’s wake, after getting their pipes and tobacco, ran off to the field to smoke, where their parents couldn’t see them. Seeing the black man coming, the boys dropped their pipes and ran back to the wake house, screaming to the people who were sitting outside that the devil was coming to carry the corpse with him. One of the men who stood near was sharper-sighted than others, and looking in the direction pointed out, said:

“Sure the devil is coming! And people thought that Jack was a fine, decent man, but now it turns out that he was different. I’ll not be waiting here!” He took himself off as fast as his legs could carry him, and others after him.

Soon the report went into the wake house, and the corpse heard that the devil was coming to take him, but for all that he hadn’t courage to stir. A man put his head out of the house, and, seeing the black man, screamed, “I declare to God that the devil is coming!” With that he ran off, and his wife hurried after him.

That moment everybody crowded so much to get out of the house that they fell one over another, screeching and screaming. The woman of the house ran away with the others. The dead man was left alone. He opened one eye right away, and seeing the last woman hurrying off he said:

“I declare to the Lord I’ll not stay here and wait for the devil to take me!” With that he sprang from the table, and wrapped the sheet round his body, and away with him then as fast as ever his legs could carry him.

His brother, the black man, saw him springing through the door, and, thinking it was Death that had lifted his brother and was running away with him to deprive the corpse of wake and Christian burial, he ran after him to save him. When the corpse screamed the black man screamed, and so they ran, and the people in terror fell into holes and ditches, trying to escape from Death and the devil.

The third sister was later than the other two in coming home from Fermoy. She knew her husband was a great sleeper, and she could do anything with him when he was drowsy. She looked into the house through a window that opened on hinges. She saw him sitting by the fire asleep; the children were sleeping near him. A pot of potatoes was standing by the fire. She knew that she could get in at the window if she took off some of her clothes. She did so and crawled in. The husband had long hair. She cut the hair off close to his head, threw it in the fire and burned it; then she went out through the window, and, taking a large stone, pounded on the door and roused her husband at last. He opened the door, began to scold her for being out so late, and blamed her greatly.

“Tis a shame for you,” said he. “The children are sleeping on the floor, and the potatoes boiled for the last five hours.”

“Bad luck to you, you fool!” said the woman. “Who are you to be ordering me? Isn’t it enough for my own husband to be doing that?”

“Are you out of your mind or drunk that you don’t know me?” said the man. “Sure, I am your husband.”

“Indeed you are not,” said she.

“And why not?”

“Because you are not; you don’t look like him. My husband has fine long, curly hair. Not so with you; you look like a shorn wether.”

He put his hands to his head, and, finding no hair on it, cried out, “I declare to the Lord that I am your husband, but I must have lost my hair while shearing the sheep this evening. I’m your husband.”

“Be off out of this!” screamed the woman. “When my husband comes he’ll not leave you long in the house, if you are here before him.”

In those days the people used bog pine for torches and lighting fires. The man, having a bundle of bog pine cut in pieces, took some fire and went towards the field, where he’d been shearing sheep. He went out to know could he find his hair and convince the wife. When he reached the right place he set fire to a couple of pine sticks, and they made a fine blaze. He went on his knees and was searching for the hair. He searched the four corners of the field, crawling hither and over, but if he did not a lock of hair could he find. He went next to the middle of the field, dropped on his knees, and began to crawl around to know could he find his hair. While doing this he heard a terrible noise of men, and they running towards him, puffing and panting. Who were they but the dead man and the devil? The dead man was losing his breath and was making for the first light before him. He was in such terror that he didn’t see how near he was to the light, and tumbled over the man who was searching for his hair.

“Oh, God help me!” cried the corpse. “I’m done for now!”

Hearing his brother’s voice, the black man, who was there, recognised him. The man looking for the hair rose up, and seeing his brothers, knew them; then each told the others everything, and they saw right away that the whole affair was planned by their wives.

The husbands went home well fooled, shame-faced, and angry. On the following day the women went to get the prize. When the whole story was told it was a great question who was to have the money. Lord Fermoy could not settle it himself, and called a council of the gentry to decide, but they could not decide who was the cleverest woman. What the council agreed on was this: To make up a purse of sixty pounds, and give twenty pounds and twenty years’ rent to each of the three, if they all solved the problem that would be put to them. If two solved it they would get thirty pounds apiece and thirty years’ rent; if only one, she would get the whole purse of sixty pounds and rent free for sixty years.

“This is the riddle,” said the council to the sisters: “There are four rooms in a row here; this is the first one. We will put a pile of apples in the fourth room; there will be a man of us in the third, second, and first room. You are to go to the fourth room, take as many apples as you like, and when you come to the third room you are to give the man in it half of what apples you’ll bring, and half an apple without cuffing it. When you come to the second room you are to do the same with what apples you will have left. In the first room you will do the same as in the third and second. Now we will go to put the apples in the fourth room, and we’ll give each of you one hour to work out the problem.”

“It’s the devil to give half an apple without cutting it,” said the elder sister.

When the men had gone the youngest sister said, “I can do it and I can get the sixty pounds, but as we are three sisters I’ll be liberal and divide with you. I’ll go first, and let each come an hour after the other. Each will take fifteen apples, and when she comes to the man in the third room she will ask him how much is one-half of fifteen; he will say seven and a half. She will give him eight apples then and say: “This is half of what I have and half an apple uncut for you.” With the seven apples she will go to the second room and ask the man there what is one-half of seven; he wilt say three and a half. She will give him four apples and say, “Here are three apples and a half and the half of an uncut apple for you.” With three apples left she will go to the man in the first room and ask what is the half of three. He will answer, “One and a half.” “Here are two apples for you,” she will say then; “one apple and a half and the half of an uncut apple.”

The eldest and second sister did as the youngest told them. Each received twenty pounds and twenty years’ rent.

Yoshihime and the Gate through which all buddhas come into the world

Women can be quite spunky when we’ve a mind to be. When we are at our spunkiest best, the stories about what we have done bring a smile to my face and a twinkle to my eyes. So, I was most delighted to find this story in the November issue of the Shambhala Sun.  . . . the story plays off a traditional Zen Buddhist Koan, a a paradoxical anecdote used by Zen teachers to demonstrate to a particular student the inadequacy of logical reasoning and to provoke enlightenment, often the provocation is in a visceral sort of manner. Often the ‘correct’ response to a koan is not communicated in words, but rather through a simple, elegant, eloquent act or gesture.

 Traditionally Zen teachers and students were boys and men. There were, of course women who studied and practiced Buddhism, but they were accorded far less prominence so to hear about one is, for me particularly, a special treat. So, I am honored to introduce you to Yoshihime.

Yoshihime was a Buddhist nun. Because of her strength and her headstrong approach to life and study, she had earned the nickname “Devil-girl.” After studying and meditating for many years, Yoshihime decided that it was time for her to meet and have an interview with Engakuji, the teacher at the monastery, but the monk who was serving as the gatekeeper barred her way. Before he would let her approach, he shouted a koan to her: “What is it, the gate through which the buddhas come into the world?”

Yoshihime grabbed the man’s head, forced it between her legs, and said: “look, look.”

The monk said, “in the middle, there is a fragrance of wind and dew.”

Yoshihime said, “This monk is not fit to keep the gate; he ought to be looking after the garden.”

The gatekeeper relayed this to Engakuji’s assistant, who said that he would test Yoshihime. And, so he went to the gate, and posed the same koan to Yoshihime, ““What is it, the gate through which the buddhas come into the world?”

Yoshihime grabbed his head and held it between her legs, saying: “look, look!”

The teacher’s assistant said: “The buddhas of the three worlds come, giving light.”

And Yoshihime said: “This monk is one with the eye; he saw the eighty-four thousand gates all thrown open.”

So, what is going on in this story? Yoshihime lives with the misogyny of her time on a daily basis. Then she is confronted with it in a very personal, particular way in the action of the monk baring her passage through the gate. Yoshihime responds to the misogyny with an act of profound, insightful feminism. What is the gate through which buddhas come into the world? As a woman she immediately understands that it is the very same gate through which ALL human beings come into the world. She responds by demonstrating her awareness to  the gatekeeper and then the teacher’s assistant – all human beings enter the world through their mothers cervix and vagina. The gatekeeper’s misogyny was too thick and he could not see through it, but the teacher’s assistant immediately got it.

Misogyny is not a thing of the past. It is alive and too well in our world today. Yoshihime’s audacity is a powerful lesson to us all. We need to know ourselves. We need to be prepared to stand our ground, to claim our rights, and maybe even to be a bit audacious as we do so.

With thanks to Judith Simmer-Brown and Florence Caplow and Susan Moon.

The Miracle of Pouring Tea

 Three men walk into a bar … no, wait … a priest, a rabbi and a minister walk into a bar … no, wait … I’ve got it! Three monks are on a pilgrimage. They meet a woman who has a teashop. The woman prepares a pot of tea for them. She brings the teapot and three cups, places them on the table in front of the monks, and says, “Oh holy monks, let those of you with miraculous powers drink the tea.”

The monks look at each other, and you can just see them thinking: which of us will pour the tea? Who will claim miraculous powers? We are monks. We can’t publicly claim miraculous powers, what will others think of us?

The woman waits a few moments, then says, “Watch this decrepit old woman show her own miraculous power.” And, she picks up the teapot and pours tea into each of the cups and goes out of the room.

The woman is wonderfully present to and engaged with the moment and the needs and wants of the moment.  The universe is present in that moment, in that act, in each moment, in each act. The sun, the rain, the earth are in the tea leaves, in the fuel for the fire, in the muscle tendons and bones of the woman. All of the universe is present in all. All the world is in a grain of sand if we will be see it.

The woman was fully present to the monks. She engaged with them with an open heart and mind. She taught her lesson, and left to go on to the next bit of living. Lovely. Fair. Just. Dignified.

Know that your powers are miraculous. They are enough. Do your best. That is miracle enough. That is enough. That is a miracle.

With thanks to Mary Grace Orr, “The Hidden Lamp: Stories from twenty five centuries of awakened women” Wisdom Publications and Parabola.