A little Celebration of Mother’s Love

Some years back this was seen on the wall of a toilet stall:

         My mother made me a homosexual

And, below it was written in a different color in a different hand:

          If I give her some yarn, will she make one for me too?

More recently this story was found floating on the internet:

A little while back Robert’s Mother went to have dinner with  him at his new apartment. Robert was living there with his roommate.

During the course of the meal, Robert’s Mother couldn’t help but notice how handsome Fred, his roommate was. She had been suspicious about her Robert’s sexual orientation, but being a good mother she felt that he would let her know if and when the time was right.  But seeing the two of them together, they way they interacted and worked so easily together just made her all the more curious.

Over the course of the evening, as she watched the ease and the playful, caring interaction between the two she wondered even more if there was more here than anyone was saying. Robert, sensing his mothers watchfully eye looked at his Mother and said, “really Mom, I can tell what you’re thinking and you can just get it out of your mind, we are just roommates and nothing more”.

About a week later Fred said to Robert, “ever since your mother was here the silver serving platter has been missing, you don’t think she took it for any reason, do you?”

Robert thought about it and said, “Well I’m sure she didn’t. She would have said something, but I will email her and ask just to be sure.” So, he sent her this email: “Hi Mom. I’m not saying you did take the silver platter from the house and I am not saying you didn’t take it but the fact remains that it has been missing ever since you were here for dinner. Love, ever your son, Robert.

Then next day, he received this response from his Mother: “Dearest Robert, I am not saying that you do sleep with your lovely roommate, Fred, and I am not saying that you don’t sleep with him. You know I love you and could care less either way.  But the fact remains that if he was sleeping in his own bed he would have found the platter under his pillow. And, when are the two of you coming for dinner? Love, Mom”

 Ah, the times and the jokes, they are a changin’. 

Here’s to more family dinners that celebrate love in all its shapes, forms and sizes.

may all women be dangerous women

this morning I found this prayer by Lynne Hybels entitled Dangerous Women Creed posted on the WATER (women’s alliance for theology, ethics and religion) email list.  May it inspire us all to live out our faith courageously as healers, peacemakers and leaders in our world as we work together to give birth to a world of justice where all living beings flourish in dignity and respect . . . 

Dear God, please make us dangerous women.
May we be women who acknowledge our power to change, and grow,
and be radically alive for God.
May we be healers of wounds and righters of wrongs.
May we weep with those who weep and speak for those who cannot s
peak for themselves.
May we cherish children, embrace the elderly, and empower the poor.
May we pray deeply and teach wisely.
May we be strong and gentle leaders.
May we sing songs of joy and talk down fear.
May we never hesitate to let passion push us, conviction compel us,
and righteous anger energize us.
May we strike fear into all that is unjust and evil in the world.
May we dismantle abusive systems and silence lies with truth.
May we shine like stars in a darkened generation.
May we overflow with goodness in the name of God and by the power of Jesus.
And in that name and by that power, may we change the world.
Dear God, please make us dangerous women.
Amen.

 … written by Lynne Hybels

Leonardo Da Vinci and The Story behind The Last Supper

It seems I’m feeling a bit arty these days.  Here is a story, probably apocryphal, about Leonardo Da Vinci’s “The Last Supper.  

It is said that it took Da Vinci nearly 20 years to finish the painting because he was meticulous about the people he would use as models. From the beginning he struggled, because he could not find the right person to represent Jesus. Da Vinci wanted someone whose face shone with purity, nobility, compassion and strength, as well as strong physical beauty. He wanted someone who radiated virility.  Finally he found a young man with exactly these characteristics, and he was the first figure that Da Vinci painted into the picture. The he found and painted in the eleven apostles. He left Judas Iscariot for last since he could not find quite the right model.   For Judas, Da Vinci wanted a mature person whose face bore the marks of treason and avarice. For years the painting and Da Vinci waited. Then, he heard of a terrible criminal in the city jail. He went to see him, and the man countenance was exactly what Da Vinci wanted. So, the artist sought out the mayor as requested that the criminal be allowed to pose for him. At this point Da Vinci’s reputation was solidly established, and so the mayor gave his approval, and gave orders for two guards to take the man to Da Vinci’s studio. The man was to be chained and under the control of the guards at all times. Da Vinci thanked the mayor, and the entourage left for his studio.

As the criminal posed and Da Vinci painted, the man showed no emotion, but held himself quietly and dispassionately maintaining a defiant distance from Da Vinci and the guards. Finally, Da Vinci was satisfied with his work and the result. He showed the criminal the painting. When the man saw it, he stared, and then fell on his knees in tears.

Da Vinci was taken with the abrupt change in the man, and asked him what was going on. The man replied, “Master Da Vinci, do you not remember me?”

Da Vinci looked at him carefully, and replied, “I am sorry but I do not.”

The man continued to cry, and said, “May God forgive me for my life. I was the youth that you choose as your model for Jesus 19 years ago.”

The moral of this story is that no matter how much physical beauty you posses, it is the inner beauty and strength of character; it is the choices that you make that become etched in your face and your being. Your character is shaped by your choices and your action. That is what will ultimately show on your face and shine in your eyes.

If we will build a world where fairness and dignity are respected, we all need to learn to look deeply. We need to build our own characters with thoughtful, compassionate choices. We need to choose our friends … well, you get it, yes?

Why did god (the gods, the goddess) make you? As a servant? As a chip off the old block? Or to search for your better half?

Why did God make you? Every Roman Catholic of a certain age, who grew up with the Baltimore Catechism, knows the unquestionable answer to that question: “to know, love and serve him in this world, and to be happy with him in the next.” Of course that is the answer, the one, true, only possible answer. Or is it? I wonder what our good friends, the Sisters of Mary Magdalene might have to say as they contemplate why God (god, the goddess, the gods) made us.

It’s been a while since we visited the cloister, so come with me, and let’s have a peek at what the sisters are up to . . . 

Since Hurricane Sandy even as the sisters continue to clean and repair the grounds, life seemed to be settling back into a more normal convent routine, at least for the moment. Each morning the sisters rise at 5AM to greet the sun; at 6 they gather for prayers and liturgies; at 8 they break their fast in a silent communal meal together, followed by manual work, liturgical prayers, and dinner at noon. The afternoons are a combination of work, spiritual reading and prayer; followed by a light supper at 6PM. Evenings include quiet time, recreation, prayer, discussion and reflection on their readings, and meetings with spiritual mentors. Most of the good sisters find their way to sleep by about 10 PM. They are reclaiming stability and comfort in the routine and strength in the discipline. And life indeed goes on.

As we look in on the Sisters their Spiritual readings focus on creation stories across traditions. Beginning with the Hebrew scriptures that are the foundation of their own tradition, and they read the second chapter of Genesis: Adam was created by his Maker. The story notes that Adam was charged with keeping a garden. That was his job, in service to his maker. But, Adam soon became lonely. His Creator wanted Adam to be happy, and so he resumed creation and brought into being every bird of the air and every beast of the field, and brought them to Adam to see and to name.  Yet, none of these creatures gave Adam delight. The Creator then caused a deep sleep to come upon Adam. While Adam slept, the Creator took a rib from Adam’s side and created woman. When Adam beheld her, he said, “This at last is bone of my bones and flesh of my flesh.” And he felt happiness and joy in the relatedness of human community. And things unfolded from there.

Because our sisters are committed to honoring the memory and spirit of Mary Magdalene their spiritual mother, they looked further to the creation story from the Upanishads of India. There they read that before the beginning of time, when the universe was nothing but the Self, the Self looked around, saw that there was nothing but the Self, and shouted, “It is I!” and the concept “I” arose. And when the Self became aware if itself as an ‘I’, ego arose, and it was afraid. But it reasoned, thinking, since there is no one here but myself, what is there to fear? And fear left.

But, the self still lacked delight, and wished for another. So, it swelled and split in two, becoming male and female. The male embraced the female, and from that embrace, the human race arose. But the female thought, how can he unite with me, who am of his own substance? And so she hid.  She became a cow, he became a bull and united with her, and from that union cattle arose. She then became a mare and he a stallion . . .  and so one, down to the ants.

Then the self realized, “I am creation; for I have poured forth all of this. And there arose the concept of ‘creation.’

Some of the sisters found this version of the creation story a bit disturbing, but they continued in their reading and reflection.

Next they looked a bit closer to home, and sought the wisdom of the Greeks, reading from Plato’s Symposium. There they examined a creation story that begins with the human race already in existence, but with three distinct human races: one entirely male, whose residence was the sun; one entirely female, who dwelt on the earth; and the third, half male and half female conjoined together, who dwelt on the moon. These beings were as large as two humans of today. They each had four hands and four feet, sides and backs forming a circle, one head with two faces.  The gods of those peoples and times became afraid of the strength of these humans, and so Zeus and Apollo cut them in two, “like apples halved for pickling.” But, those divided parts, each desiring the other, came together and embraced, and would have perished of hunger had the gods not set them far apart. 

The Greeks teach us that the lesson of this story is that human nature was originally one and we were a whole, and the desire and pursuit of the whole is called love – according to its three kinds. Oh, my! As you can imagine, this third version really caused some distress for some of the sisters with its implicit affirmation of same sex love as a normal aspect of human being. And, yet, even in their distress they are hardy, stalwart souls. And so they persisted in their reflections.

Mother Magdalene turned to Sister Visentia, and asked her for her thoughts. Visentia smiled a bit, and said, “Well, Mother, you know, I’ve also been reading Joseph Campbell recently. And, if I remember correctly, it seems that in our traditional reading from Hebrew Scriptures, Adam, as the being whose rib was used to create woman, is the created servant, and the goal then is to become engaged in a relationship with the other, even while serving the creator. While in the version from India, it is the creator who is split into parts. And so each creature should experience and realize in life their very identity with that Being, we are each made from, made of the creator – thou art that! In the Greek version, we are left to search for our other half, while at the same time being careful not to offend the gods. These are three very different ways to think about the meaning and purpose of our lives! What very different versions of truth!”

Then, Sister Bryda chimed in, “and what different paths to justice and respect for dignity! Are we servants of a divine creator? Are we in search of relationship and our better half? Or are we each a chip off the old block, the Creator’s very self?”

At that Mother Magdalene smiled and observed, “Well, Sister Bryda, you may not realize the depth of your own wisdom. The answer is actually all three. One dimension of social space is a path of awe, the path that leads to transcendence and divinity – where we explore the vastness of all that is as you put it, a chip off the old block. That is the most neglected dimension of social space in the world at large. In our world here in the cloister, it is the most revered dimension. Another dimension is relatedness and closeness, finding authentic connections with others, and yes, in the secular world, searching for you better half. That is a dimension we have chosen to redefine somewhat within this cloister as we set aside the search for a particular half in the search for a stronger common community. And indeed there is a third dimension to social space, the dimension of hierarchy, of servant and master, of above and below, and of justice and fairness, perhaps the dimension that is most contentious in the world around us. Each dimension is necessary for a full, whole and healthy well being. The challenge is keeping them all in balance.”

Through all of this Sister Septimus looked perplexed, then thoughtful. After a few moments of silence, she spoke, “So, three dimensions of social space: awe/divinity, closeness/relatedness and hierarchy/justice. So, God made us to know him or her or them in awe, to serve him, her or them; or perhaps to work for fairness and to build a world where dignity is indeed respected.”

“Or all of the above.” Observed Mother Magdalene as the left the refectory for the chapel and evensong.

Would you work in the mines for your brother? Albrecht Dürer and the Praying Hands

The Praying Hands is one of the more widely reproduced art works. Many people who are not aficionados of art and who don’t know who is responsible for the work could still describe the picture. There is an interesting apocryphal, mythological story about the image and the artist, some credit the telling of the tale to Og Mandino; Og credits Rabbi Louis Binstock for the story. Here is my version:

Albrecht Dürer is the German artist who drew the praying hands, probably around 1508.  Mythology has it that Albrecht and his twin brother Alexander were a pair among 15 siblings. Albrecht’s father was a hardworking goldsmith who took on any additional work that he could find to keep food on the table for his large family. Early on Albrecht and Alexander both showed considerable artistic skill. But early on it was clear that their poor struggling father would never be able to afford to send either of them to the academy to study art. The family barely had the ability to keep food on the table.

But their father recognized his children’s abilities. One Sunday, after church services and the noon mean, their father summoned Albrecht and Alexander and set out a plan. He proposed that they would toss a coin. The winner of the toss would be trained in painting and would have the opportunity to develop his artistic skills. The other would stay at home, take a job in the mines, and would support his brother’s education and apprenticeship. The boys thought about it for some minutes, looked at each other, and then both nodded in agreement even as they both exhaled a breath of hope and anticipation.

Alexander called heads, Albrecht took tails. Their father flipped the coin. It swirled high into the room, twirling for interminable seconds as it wound its way downward. They let it land on the floor, where it spun on its edge for seconds more before it finally came to rest, with the tail side up. Albrecht looked at his brother with tears in his eye, and promised to hone his skill to excellence. Alexander took his brother’s hands, squared his own shoulders, and promised to work diligently. “Come back to us, Albrecht, I will be waiting.”

Shortly Albrecht set off for Nuremberg, and Alexander went into the mines and worked to finance his brother’s study. Albrecht learned quickly, and very soon his work surpassed that of his teachers. His sketches, woodcuts, and oil paintings quickly became a sensation, and he was soon collecting commissions and earning considerable fees for his works.

As he concluded his studies, Albrecht returned home, and the Dürer family celebrated his return with a feast. They had roasted meats, and stewed vegetables, and freshly baked breads. There was much banter and laughter among the siblings. All were delighted to see Albrecht after his years away. And Albrecht was delighted to be home again among his much loved family. As the meal neared completion, Albrecht lifted his goblet, and proposed a toast to his brother, Alexander. Albrecht stuttered and stumbled over his words as he tried to express the depths of his gratitude. And then his stood a bit straighter, squared his shoulders, and pledged, “And now, Alexander, it is my turn. Now you shall journey to Nuremberg and begin your studies in earnest. And I will support you with the commissions of my work.”

Tears flowed down Alexander’s face as he shook his head. “No, Albrecht. It is too late for me. My dear brother, look at my hands. Every finger had been broken in the mines. My right hand pains me so badly that I cannot even hold a glass in it to return your toast. To hold a pen or a brush, to draw delicate lines on parchment or canvas, these are beyond me now. My brother, the inspiration and the art must flow through you. For me it is too late.”

When Albrecht looked at his brother’s hands, he too wept. He knew the debt that he owed his brother could never be repaid. In tribute to his brother, he meticulously drew his brother’s hands as he remembered them before the mines, palms together, fingers pointing to heaven, a simple, powerful tribute to love. Albrecht simple called this work “hands” but it quickly came to be known as “the praying hands.”

Over 500 years have passes since Albrecht Dürer’s painted “the praying hands.”  His paintings, sketches, woodcuts and copper engravings are in museums across the world. Nothing is known of Alexander’s life. But if it were not for the generosity of Alexander’s heart, Albrecht might never have become the artist he was. This story reminds us that no matter who we are, no matter how unique and powerful our gifts and skills might be, still sooner or later, we all need help. We all need someone who believes in us. We are all but threads in Indra’s Web . . .

No man is an island. Indeed, it does take a village. It is inspiring to look at Albrecht’s work, and to appreciate Alexander’s sacrifice. But, it is not so easy to stand in Alexander’s shoes and to see Albrecht’s life. And yet, there may well be inspiration to be found  from Alexander’s standpoint as well.

As I think about this story I find myself resonating first with the ‘working in the mines’ element, as I think about my own family. I grew up in Northeast Pennsylvania where anthracite strip mining was the primary source of employment for my grandparent’s and my parent’s generations. There are family stories of one of the mine shafts flooding, my uncle being in the mine wearing the new boots that he bought just the day before. As the tunnel started to take on flood waters the floor turned to muck — serious quicksand like muck — and he and his boots began to sink into the muck and stick. He was bending to unlace his boots to get a better grip on pulling them out of the muck, even as he sank deeper into the muck and the water lever began to rise. Two of his buddies grabbed him by the arms and carried him out of the mine kicking and screaming that he would make them pay for the boots they were forcing him to abandon – penny wise and pound foolish? and gratitude? Hmm. Well, and then the story about my father refusing to work in the mines, rather he enlisted in the army. My dad choose fighting in World War II rather than work in the mines. That kind of gives me a bit of a sense of what working in the mines must have been like – more dangerous than a war. And Alexander willingly agreed to work in the mines for his brother.

Bask in the love between brothers for a bit, and then since I really do intend for the blog to eventually come around to alchemy for justice,  think for a few minutes too if you will … Do you think this was an ethical plan? Why is it that we recognize and remember the brother who benefited from the love but not the one who made the sacrifice? What would render these actions ethical or unethical? Did Alexander really have the freedom to say ‘no’? If justice is fairness, what would be justice/fairness for Alexander? From Albrecht?  What would you have done in this situation – if you were the father? If you were Albrecht? If you were Alexander? Who would you go to the mines to support?

Please call me by my true names by Thich Nhat Hanh with comments from Ivan M. Granger

I have been in love with this poem by Thich Nhat Hanh for years. Every time I read it I am touched more deeply by the implications of the poem, by its call for compassion and justice. By its demonstration of the inherent unity of all that is, of all of us. And then recently I cam across a discussion of the poem by Ivan Granger. Beautifully said, Ivan (who I don’t know — yet). so, I thought I would share both with you all … think deeply, please.  … Mary

Please Call Me by My True Names

by Thich Nhat Hanh (1929 – )

 
Don’t say that I will depart tomorrow —
even today I am still arriving.

Look deeply: every second I am arriving
to be a bud on a Spring branch,
to be a tiny bird, with still-fragile wings,
learning to sing in my new nest,
to be a caterpillar in the heart of a flower,
to be a jewel hiding itself in a stone.

I still arrive, in order to laugh and to cry,
to fear and to hope.

The rhythm of my heart is the birth and death
of all that is alive.

I am the mayfly metamorphosing
on the surface of the river.
And I am the bird
that swoops down to swallow the mayfly.

I am the frog swimming happily
in the clear water of a pond.
And I am the grass-snake
that silently feeds itself on the frog.

I am the child in Uganda, all skin and bones,
my legs as thin as bamboo sticks.
And I am the arms merchant,
selling deadly weapons to Uganda.

I am the twelve-year-old girl,
refugee on a small boat,
who throws herself into the ocean
after being raped by a sea pirate.
And I am the pirate,
my heart not yet capable
of seeing and loving.

I am a member of the politburo,
with plenty of power in my hands.
And I am the man who has to pay
his “debt of blood” to my people
dying slowly in a forced-labor camp.

My joy is like Spring, so warm
it makes flowers bloom all over the Earth.
My pain is like a river of tears,
so vast it fills the four oceans.

Please call me by my true names,
so I can hear all my cries and my laughter at once,
so I can see that my joy and pain are one.

Please call me by my true names,
so I can wake up,
and so the door of my heart
can be left open,
the door of compassion.

1989

— from Call Me by My True Names: The Collected Poems of Thich Nhat Hanh, by Thich Nhat Hanh

 
Commentary by Ivan M. Granger

This is a lovely, unflinching meditation on how all of being and all of human experience weaves together into a single tapestry of the whole. It can even draw comparisons with Walt Whitman’s “Song of Myself,” where everything, terrible and beautiful, is one, is witnessed, and is found within oneself. 

Don’t say that I will depart tomorrow — 
even today I am still arriving.

Most of us have learned to anticipate what will happen next, and we end up mentally dwelling in our fantasies and fears about the future. But the future is merely an idea; it never has reality. The present moment is all that is ever real. And that is where we must dwell if we want to truly be alive and know what is real.

The present is a state of “still arriving.” Because the present moment is not a fixed space in time, you can’t say that anything encountered in the present is fixed and settled either. The present is a gossamer thin and moving point of light where all things are just barely stepping into the visibility of being… as the moment keeps moving. Everything, everyone, in every second is always just arriving. The present is a continuous becoming. 

Look deeply: every second I am arriving 
to be a bud on a Spring branch, 
to be a tiny bird, with still-fragile wings, 
learning to sing in my new nest…

Another fascinating thing is discovered when we truly, deeply perceive the present moment: Not only are we and all things “still arriving,” but the illusion of boundaries and separate being falls away. The notion of identity expands and recognizes itself just as naturally in all things witnessed. We find we are not just the person watching the bud on the Spring branch, but in our arriving we are equally the Spring bud, the young bird, the caterpillar in the flower, the jewel waiting in the stone. This is not some poetic game of words; it is what we actually perceive.

The rhythm of my heart is the birth and death 
of all that is alive.

When we finally see this truth then, for the first time, we can truly witness the world as it is. And that is what this poem is most about: witnessing. Thich Nhat Hanh invites to courageously witness the panorama of life, wonders and horrors alike. Through this form of true witnessing, we are not spectators watching others from a distance; no, it all unfolds upon us and in us. We are witnessing ourselves in many forms. We recognize that anything that happens anywhere in the world, is truly happening to ourselves and no other. And everything done, is done by ourselves and no other.

Please call me by my true names, 
so I can wake up, 
and so the door of my heart 
can be left open, 
the door of compassion.

This is why compassion is not altruistic and service is no effort. When we finally see things as they are, it is all oneself. When we offer our heart, when we offer our hand, we are simply helping ourselves. Who among us, when he touches a hot iron, doesn’t immediately pull back and then soothe the burn under cool water? That’s not altruism, it is the natural response to pain in one’s body. When we see clearly, we see we are all of one body, and the joys and pains of any other is yours as well. 

Compassion and an open heart are the natural result of being awake to this truth, and no effort at all.

Tonto and the Lone Ranger, Where we see wisdom

Once upon a time, when I was but a child, there was a most wonderful television show called the Lone Ranger. The show featured a rather hapless cowboy, who was the star of the show, and his inventive, ingenious side kick, a Native American Indian called Tonto. In my youth I had no conception of the inequity embodied in this relationship. I also had no clue that ‘Tonto’ translates from Spanish as ‘stupid’ or ‘silly’. Ugh. Nice way to insult your friend. And yes, this is just a fine example of how some of my earliest pleasure and role modeling for friendship was grounded in racism. We have a very long way to go to build a world where all relationships are grounded in respect for human dignity. (And even further to go so that ALL relationships – relationships between and among humans and with other sentient and with non-sentient beings are grounded in respect.)

So, when I came across this little story, I have to confess that it brought a smile to my face, a twinkle to my eye, and hope to my heart.  I hope you enjoy it too.

The Lone Ranger and Tonto went camping in the desert. After they got their tent all set up, both men fell sound asleep. Some hours later, Tonto woke the ranger and said,
“Kemo sabi, look towards sky, what you see?”

The ranger replied, I see millions of stars.”

“What does that tell you?” asked Tonto.

The ranger pondered for a minute then said, Astronomically speaking, it tells me there are millions of galaxies and potentially billions of planets. Astrologically, it tells me that Saturn is in Leo. Time wise, it appears to be approximately a quarter past three in the morning. Theologically, Mother Nature is all-powerful and we are small and insignificant. Meteorologically, it seems we will have a beautiful day tomorrow.

“What’s’ it tell you, Tonto?”

Tonto says,“Kemo Sabi, you dumber than buffalo shit. It means somebody stole the tent.” 

Wisdom is not always were you expect to find it. Yes, I very much agree with Thich Nhat Hanh that we should look deeply into the roots of events and experiences to fully understand the experience and the people involved. But, sometimes it is important to see what is (or is not) right in front of our faces. And always it is important to not take ourselves too seriously!

 

Happy Easter, Happy Season of Greening, Manifesto: the mad farmer liberation front

today is Easter. We decided to go to church to honor the moment and to re-member. It was the right choice.

The gathering words were taken from a poem by Wendell Berry. The words seemed so right, I thought I would share them with you. I hope they are as meaningful for you as they are for me.

Manifesto:
The Mad Farmer Liberation Front

by Wendell Berry

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.

And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.

When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.

Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.

Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.

Listen to carrion — put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.

Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.

As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go.

Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

“Manifesto: The Mad Farmer Liberation Front” from The Country of Marriage, copyright ® 1973 by Wendell Berry, reprinted by permission of Harcourt Brace Jovanovich, Inc.

Hanging by a spider thread

As with all good stories, once upon a time in a place very near to your heart, the mother of all wisdom was walking in her garden enjoying the flowers when she looked over the cliff and saw Melissa, one of her daughters struggling in the depths of hell. This young soul (we are all young souls to the great mother), this young soul had been an assassin, an arsonist, a burglar and generally an all around criminal. A lifetime of lawless actions put her in hell, where she was in the company of others much like her.  

The mother of all wisdom looked deeply into Melissa’s life and saw a moment where the woman had come upon a spider. She had raised her foot to stomp on the spider, but then she had remembered a story one of her teachers told in class about how the Native Americans honored spider woman as one of the world’s creators. At that one moment, Melissa smiled to herself, and thought, “maybe this spider is a descendant of the first spider woman.” And so, the woman picked up the spider and moved it to a safer place.   

Seeing this one act of kindness, the mother of all wisdom took a spider thread and lowered it into the depths of hell with the intention of saving Melissa. 

Melissa saw the thread, reached for it, and found it strong enough to hold her weights. Using all of her strength she began to life herself from hell.  As she was making some progress, she looked down and saw hundreds of others behind her climbing up on the same spider thread.  Melissa looked back and yelled, “Get off! This is my thread.” And looked down and shook the thread to dislodge the others, the thread broke and Melissa fell back into hell.

This story also kind of reminds me of the story about fear, generosity and spoons with long handles. I guess a world of justice and respect will include forgiveness and second chances and openness to community, which by its nature requires forgiveness and second chances. People! community! it can be a pain to live with them, and you can’t live without them. … forgiveness and second chances. Somedays it really does seem that we are all just hangin by by a spiders thread!

All the faces are mirrors

Long ago in a small, far away village in New Zealand, there was place known as the House of 1000 Mirrors. One day a small, happy little girl learned of this place and decided to visit. When she arrived, she skipped happily up the stairs to the doorway of the house. She looked through the doorway with hope in her heart and gleeful anticipation in her eyes. To her great surprise, she found herself staring at 1000 other happy little girls with their eyes glowing as brightly as hers. She smiled a great smile, and was answered with 1000 great smiles just as warm and friendly. As she left the House, she thought to herself, “This is a most wonderful place. I think that I will come back and visit it very often.” And she did, and each time she was greeted with smiles, and her life was richer and happier for it.

In this same village, another little girl, who was not quite as happy as the first one, decided to visit the house. She slowly climbed the stairs and hung her head low as she looked into the door. When she saw the 1000 sad and unfriendly looking girls staring back at her, she grimaced and snarled at them and was horrified to see 1000 little girls grimacing and snarling back at her. As she left, she thought to herself, “That is a horrible place, and I will never go back there again.” And she did not ever return to that place, but she continued to meet other people who were sad and grimacing where ever she went.

For Shakespeare all the world was a stage. Indeed, and also, all the faces in the world are mirrors.