Chop Wood, Carry Water; Lay down your burden, then pick it up again

 Each moment is part of an era. Each era is part of a time. I like to think of myself as a child of the ‘60’s. In my mind, the ‘60’s were dramatic and romantic. The ‘60’s were the era of hippies, they were the time of free love. They were the time of deep social unrest and protest, of fighting for civil rights and to end the Viet Nam war. The ‘60’s culminated in Woodstock, “An Aquarian Exposition: 3 Days of Peace & Music” at at Max Yasgur’s farm in of Bethel, New York.  Woodstock happened in 1969 and brought the ‘60’s to their fulfillment.  I wanted to be a child of the ‘60’s. I wanted to be at Woodstock. I found out about it after it was over. I was a child of the ‘70’s.

In college I discovered Asia. I took a course in world religions, and discovered Taoism, Buddhism, and Zen. I fell into deep infatuation with Zen Buddhism, and began to aspire to enlightenment. Some of that occasionally seeps into this blog, I think.

Today I am remembering a book I read a while back: Chop wood and carry water. The essence of the book is that before enlightenment we must chop wood and carry water, after enlightenment we continue to chop wood and carry water.  In my youth I used to play with this and say that we should chop water and carry wood. Then it was funny because it was clear that I was playing with the words. Now that I am older, when I play like that people are inclined to think about early onset Alzheimer’s. I am a bit more aware of who and where I play now. It is important to remember and respect the era within which you walk as you play. If you would be with me, it is also important to be aware of the depth and luminosity of the twinkle in my eye. Sometimes playing is just playing.

There is a Zen story that I’m fond of (there are many actually, but here is one of them). It reminds me of “Chop wood and carry water.” The story is called “Lay down your burden then pick it up again”

A troubled woman named Tan could not figure out how to live. So she began meditating to find some answers. After many months she felt no progress, so she asked the temple priest for help. 

The priest said, “Go see old Jah.” 

So she hiked to old Jah’s village and came upon the happy-looking old man coming from the forest under a heavy load of firewood. 

“Excuse me, honored Jah,” she said. “But can you teach me the secret of life?” 

Jah raised his eyebrows and gazed at Tan. Then with some effort he twisted out from beneath his great bundle of firewood and let it crash to the ground. 

“There, that is enlightenment,” he said, straightening up with relief and smiling. 

The troubled woman looked on in shock at the prickly firewood scattered over the ground. “Is that all there is to it?” she said. 

“Oh, no,” said Jah. Then he bent down, collected all the scattered sticks, hoisted them carefully up on his back and made ready to walk on. “This is enlightenment, too. Come. Let’s go together for tea.” 

So Tan walked along with Jah. “What is old Jah showing me?” she asked. 

Jah replied, “this is life, this is enlightenment. First, yes, you suffer a heavy burden. Many do. But, as the Buddha taught and many have realized, much of your burden and much of your joylessness is your craving for what you can’t have and your clinging to what you can’t keep. 

“Then you can see that the nature of your burden and of the chafing you experience as you try to cling to it are useless, unnecessary, damaging, and then you can let it go. 

“In doing so, in awakening to this awareness you find relief, and you are freer to see the blessings of life and to choose wisely to receive them.” 

“Thank you, old Jah,” said Tan. “And why did you call picking up the burden of firewood again enlightenment as well?” 

“One understanding is that some burden in life is unavoidable — and even beneficial, like firewood. With occasional rest it can be managed, and with freedom from undue anxiety about it, it will not cause chafe. 

“Once the undue burden is dropped, we straighten up and see and feel the wonder and power of being. Seeing others suffering without that freedom and blissful experience, we willingly and knowingly pick up their burdens out of compassion joining and aiding others in their various struggles for liberation, enlightenment and fulfillment.” 

“Thank you, Old Jah,” said the exhilarated Tan. “You have enlightened me.” 

“Ah-so,” said Jah. “Your understanding is enlightened. Now to make it part of your living and your spirit, you must go follow the eight practices and meditate. Then you will learn to detach yourself from your useless burden of cravings and to attach yourself to the profound source of being out of which life, creativity, joy and compassion form and flow.” 

And so Tan went and did. And understanding the truths gave her comfort. And practicing the good behaviors kept her from harming herself or others anymore. And concentrating on the deep blissful potential of life gave her a continuing sense of companionship and joyful awe and of well-being in his spirit, no matter what else of pain she had to deal with. 

So it is as well with our work for social justice and human rights. It is a process, a path we choose to walk. Some days we feel like Sisyphus  continually pushing the rock of fairness up the hill only to have it roll back down on us. But, as we let go of our attachments to what should be and open our hearts and minds to what is and what can be, we can begin to notice and celebrate the progress that together we are achieving. We are each of us a drop in the ocean, and together we are the waves that wash ever more powerfully on the beach of fairness and dignity. Let no one doubt the power of the ocean and the tides.

We may lay down our burdens, and we will take them up again. We will chop wood and carry water. The times they are a-changing. Peace, justice and dignity will reign across our land.

The Trolley Problem :To save five lives would you switch the trolley’s tracks? would you push someone off a bridge?

One fine summer day on Cape Cod two bright young philosophy students were walking along Paine’s Creek beach, overlooking the Cape Cod Bay.  The sun was bright, there were a few clouds in the sky, just enough to make it interesting, and the tide was out, so you could walk for miles on the sandbar. It was a perfect day. Pat turned to Jay as asked,   “If you were in San Francisco, and you saw a runaway trolley racing down the tracks toward five people who would surely be killed if it continues on its present course. You can save these five people by diverting the trolley onto a different set of tracks where one person will be in the path of the trolley. If you do this, that one person will be killed. Is it morally permissible to turn the trolley onto the new track, so that the lives of the five people will be saved, but the life of the one person will be sacrificed?”

 Jay continues to walk, watching the crabs burrow into the sand as they walk. Thinking for a bit, Jay says, “yes, I believe it would be alright to sacrifice one to save five.”

 Pat and Jay continue to walk. Pat then asks Jay, “Well, now, suppose there is a different trolley. This one is still headed for five people. There is no alternate track to divert this trolley on, but you are standing next to a very large man on a footbridge that bridges the track. The only way to save the five people is to push this man off the footbridge into the path of the trolley. Is it morally permissible to push the man onto the track in front of the trolley?

 Pat and Jay continue to walk along the beach as Jay thinks. Jay smiles and looks at Pat, “You would think so, wouldn’t you. In both cases it is one person to save five. But, morality is not math. I can be utilitarian if I am pulling a switch, but pushing someone engages my emotions on a whole other level. Pushing someone is much more personal. So, no, it seems not morally OK to push.”

 Jay then says, “Here’s one for you.  You are a relieve worker in Afghanistan, and you are helping to smuggle 48 women, children and babies out a prison where they had been held hostage for months. You have gotten information that they are all going to be executed within the next few days so it is imperative that you get them out as soon as possible. You plan the escape, and all of you are on the road, just a few more miles from freedom. It is night, you have just set up camp for the night, everyone is well hidden and you can hear soldiers on the road searching for you. You know they cannot see you so if everyone keeps quiet all will be all right, and then a baby begins to cry, to cry loudly, persistently and relentlessly. The only way to silence the baby is to cover its mouth, but if you do that the baby will be smothered to death. But, if you do not, you and the other 47 women and children you are helping to escape will be killed.  What would you do? Why?”

 So, my dear reader friends, what would you do?  Who gets justice here the five or the one? The infant or the 47? Whose human rights, whose dignity will you respect?

 If you need to find an answer watch the MASH season finale, rent the movie Sophie’s Choice, read Jodi Picoult’s The Storyteller, or google Joshua D. Greene. Sometimes there just isn’t an easy answer.

The Frog in a Milk-Pail

A number of years back, when farms were common in the Garden State, there was a young frog who was just entering adolescence. The frog’s mother warned her child who thought she was a woman about venturing too far from the pond. But girls will be girls, and the adolescent set out willy-nilly to explore the lands around the pond. Soon enough our young frog found herself hopping around a farmyard. It was glorious! So many new things to see and examine and explore. She was in a frog frenzy!!

Being an adolescent and somewhat careless, and maybe a just a little too curious, she ended up falling into a pail half-filled with fresh milk.

As she swam about attempting to reach the top of the pail, she found that the sides of the pail were too high and steep to reach. Ugh. Only then did she remember the family stories about her cousin who had been boiled to his death in a pot of water when the temperature of the water had been very gradually increased so that Fred did not notice the changes.

Desperate, she tried to stretch her back legs to push off the bottom of the pail but found it too deep. But our frog was determined not to give up, and she continued to struggle. She knew her mother would kill her if her mother  found out the mess she had gotten herself into! She kicked and squirmed and kicked and squirmed, until at last, all her churning about in the milk eventually turned the milk into a big hunk of butter.

The butter was now solid enough for her to climb onto and get out of the pail!

Never Give Up! Nothing is impossible if you keep thinking, remembering and work hard enough. Keep on keepin’ on!

Parable of the Guitar Strings

Back in Hunterdon County, Murina is finishing up middle school and about to enter adolescence where things are not always as simple as life used to be as a child of innocence among the rolling hills of Hunterdon. It feels to her more and more that things are not as they seem. Too often she just does not quite seem to understand – not anything, not her friends, not her self, especially not her mother who had just gotten too weird for words almost overnight. Ugh. Life was tying her up in knots, she felt wound up and stretched tighter than a drum.

And now her mother wanted her to take music lessons! Guitar of all things! How incredibly 1960’s! How just like her mother! The woman who thought reading tea leaves meant reading the tags on the teabags! The woman who would only buy tea bags with tags that had quotes or sayings on them! The woman who collected teabag tags! Other kids had mothers who put their drawings or pictures or best papers on the refrigerator door. Murina’s had a mother who covered their refrigerator with tea bag tags: Bliss is a constant state of mind, undisturbed by gain or loss; practice kindness, compassion and caring; by listening you comfort another person. Ugh. Why couldn’t someone listen and comfort her? Why couldn’t someone really hear her? Murina thought she was going to explode!

And now her mother wanted her to take music lessons! What was the point?

But Mama was wearing her down, so Murina finally agreed. She dug Grandma’s guitar out of the storage closet, dusted it off, and set off for her first guitar lesson. At least the guitar teacher was cute and kind of an interesting guy. If nothing else, for 45 minute every week she would be away from her mother and could enjoy a bit of eye candy and dream.

Mayer was alright. He took his guitar seriously, but he took himself lightly. The first week she knocked on his door for her lesson, he just shouted out: “if this house is rockin’, don’t bother knockin’” and he laughed. “come on in. let’s make some music.” He wasn’t half bad, all in all.

But today Murina was just not in the mood. She just was wound too tight. She couldn’t settle in.

Mayer looked at her, looked at her guitar, sighed, smiled and said, “OK. Let’s get at some basics – tuning the guitar.”

“Mayer, I’ve got a guitar tuner, see? I just clip it on the headstock of my guitar here and it shows me if I’m out of tune.”

“Murina, that’s all fine as wine, but you also gotta know. Some things you gotta know here” and he patted his heart.

Murina could tell she was not liking where this was going, but she was still too polite to do much more than roll her eyes. So she sat and listend.

“Ok” Mayer went on. So, he took his own guitar played with the machine heads and then strummed the strings. “How’s it sound to you?”

“Pretty awful. It’s all screachey” Murina winced. Mayer could always make his guitar sing. What was he up to?

“Hmm.” He said as he fiddled with the machine heads and the strings again. “How about this?”

“Ugh” Murina muttered before she could edit herself. “Now it sounds all flabby.”

Mayer smiled. “So, check it out, Murina. A guitar is not going to sing with you if you tighten the strings too much. And it won’t give you any good vibrations if you loosen the strings too much either.  You and your guitar. Its all about tuning. Neither of you wants to be wound too tight or you will snap. Too loose and the vibrations aren’t right, you can’t resonate the harmonics. Tuning isn’t about seeing the green light on the tuner, it’s about feeling the harmonics in your heart. Not too tight, not too loose. And when you have it all in balance, if you just touch the string here, and strum ever so lightly, you can hear the voices of angels in the bells tones of the strings.”

“Murina, all change is tricky. Its white water – you gotta learn where the big boulders are and figure how to paddle around them.”

“You are your guitar, my little grasshopper of a student. As you walk around in the world, in the new world that you are growing into, if you are too demanding of yourself and others, you will snap like an E string on Charlie Daniels fiddle. If you sink too deeply into the land of ‘whatever’ you will too loose to find your vibe or to ride a harmonic. Strings, guitars, music, life. It’s about being in tune.”

Murina looked at Mayer, thought about what he said, “But it’s hard to stay in tune when the weather is changing. Sometimes it’s cold, sometimes it’s so humid. The strings keep getting tighter and stretching and I’m not doing nothing.”

Mayer smiled. He knew they were not talking about guitars anymore. “I know little darling. I know. You just gotten keep tunin’ in and  listening to the music of your heart. Go slow enough to listen, fast enough to strum and keep tunin’.”

It’s kind of like the Taoist practice of the Way. If you are too hard-working in your practice, you will strain your mind and become too tense. However if you relax your mind too much, then you will be overwhelmed by laziness. You must strike a balance in your practice of the Way, you must strike a balance in your life. (From Treasures of the Heart, by Daisaku Ikeda) 

Work for social justice and human rights can be – it IS daunting. As we engage in that work, we too need to strike a balance, to find a way to keep in tune.